Weekend Master Studio with Verdiano Marzi
CMS is pleased to offer another unique opportunity to work with Visiting Artist Maestro Verdiano Marzi for a special Sunday morning, 3 session class. This studio class is intended for participants that are working at all levels of expertise and are seeking to gain a deeper understanding of their work and studio practice.
Students are encouraged to bring in projects and ideas to review with Maestro Marzi. These sessions are intended both for work time and observation, as Maestro Marzi works side by side with students for half the day.
Select materials, substrates and adhesive options are included. Students may provide their own materials and/or purchase materials available for sale in the CMS Art Shoppe.
Prerequisite: Hammer and Hardie (or by permission).
When registering for classes at CMS, please be aware of our refund and cancellation policy.
Verdiano Marzi is one of the most highly regarded contemporary mosaic artists. As a permanent resident of Paris and a former instructor at the École du Louvre, Marzi’s own work is abstractly narrative, using his subtle understanding of color and texture to evoke ethereality and expressive movement. His many years of dedicated practice and experience provide valuable insight into mosaics through his use of an expansive range of materials and techniques, from the ancient to the contemporary.
CMS is pleased to offer another unique opportunity to work with Visiting Artist Maestro Verdiano Marzi for a special Sunday morning, 3 session class. This studio class is intended for participants that are working at all levels of expertise and are seeking to gain a deeper understanding of their work and studio practice.
Students are encouraged to bring in projects and ideas to review with Maestro Marzi. These sessions are intended both for work time and observation, as Maestro Marzi works side by side with students for half the day.
Select materials, substrates and adhesive options are included. Students may provide their own materials and/or purchase materials available for sale in the CMS Art Shoppe.
Prerequisite: Hammer and Hardie (or by permission).
When registering for classes at CMS, please be aware of our refund and cancellation policy.
Verdiano Marzi is one of the most highly regarded contemporary mosaic artists. As a permanent resident of Paris and a former instructor at the École du Louvre, Marzi’s own work is abstractly narrative, using his subtle understanding of color and texture to evoke ethereality and expressive movement. His many years of dedicated practice and experience provide valuable insight into mosaics through his use of an expansive range of materials and techniques, from the ancient to the contemporary.
CMS is pleased to offer another unique opportunity to work with Visiting Artist Maestro Verdiano Marzi for a special Sunday morning, 3 session class. This studio class is intended for participants that are working at all levels of expertise and are seeking to gain a deeper understanding of their work and studio practice.
Students are encouraged to bring in projects and ideas to review with Maestro Marzi. These sessions are intended both for work time and observation, as Maestro Marzi works side by side with students for half the day.
Select materials, substrates and adhesive options are included. Students may provide their own materials and/or purchase materials available for sale in the CMS Art Shoppe.
Prerequisite: Hammer and Hardie (or by permission).
When registering for classes at CMS, please be aware of our refund and cancellation policy.
Verdiano Marzi is one of the most highly regarded contemporary mosaic artists. As a permanent resident of Paris and a former instructor at the École du Louvre, Marzi’s own work is abstractly narrative, using his subtle understanding of color and texture to evoke ethereality and expressive movement. His many years of dedicated practice and experience provide valuable insight into mosaics through his use of an expansive range of materials and techniques, from the ancient to the contemporary.
